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Contemplate the shared mission of Nanjing-born and Shanghai-based artist Liu Guofu with the American born painter, sculpture and photographer, Cy Twombly. Although born over four decades and more than 7,000 miles apart, the search for the "human longing to communicate" unites these two artists. We have chosen to focus on Liu's The Cold Mountain No.7 and Twombly's 1971 mixed media canvas, Nini's Painting.

We are delighted to present the renowned contemporary Chinese ink painter Wei Ligang's musings on Chloe Ho's contemporary ink works. Extracted from two essays, the first written in 2014 following Chloe's apprenticeship at Wei's studio in Beijing during the winter of 2013, and the second published in the 2017 exhibition catalogue Ascendence, Wei Ligang reflects on particular paintings by Chloe as well as on her painting style and presence.

ARTpiece #11: This week, we examine the painting Golden Lotus Pond 2 by Beijing-based artist Huang Guanyu, to inspire you to add this beautiful work to your collection. Here we compare Huang's painting with an oil on canvas work entitled Red Dragonfly by one of the great founders of Modern Chinese Painting, Wu Guanzhong.

ARTicle 11: We are delighted to present the essay Hsiao Chin: A Fundamental Sense of Hope written by British award-winning art critic Richard Cork for the exhibition catalogue of Hsiao Chin's retrospective In my beginning is my end: the art of Hsiao Chin, which takes place at the Mark Rothko Art Centre in Latvia from 31st July to 25th October 2020, as part of the celebratory programme for the artist's 85th year. In the essay, Richard Cork develops from Hsiao's early works from the 50s and walks you through the extraordinary sixty-year oeuvre of the post-war abstract master of the East.

This week we compare Shanghai-based artist Wang Jieyin's Green Skies painting with the High Tang Dynasty cave painting, Parable of the Illusory City from the Lotus Sutra.

ARTicle 10: We hope you enjoy studying Zheng Lu's essay through an essay written by the renowned art critic and curator Wu Hong.

In the biweekly series ARTpiece, we are highlighting one artwork from 3812 Gallery's collection, to inspire you to add it to yours. For this week's ARTpiece we have chosen to highlight the Ink Object series created by Beijing-based artist Yu Yang, the co-founder of the avant-garde Chinese art group “Cold Ink”, to inspire you to add one or more of this extraordinary series to your collection.

ARTicle 09: We hope you enjoy studying Li Lei's abstract painting through an essay written by Zhou Xian, Professor at the Art Institute of Nanjing University.

For this week's ARTpiece we have chosen to highlight the latest series created by Victor Wong and his artificial intelligence assistant AI Gemini, to inspire you to add one or more of this outstanding six-part painting series to your collection.

ARTicle 08: We hope this article will walk you into the ink world of Hong Kong artist Raymond Fung.

We have enjoyed an exciting week for our 85-year-old master artist, Hsiao Chin. Starting with the opening of his major retrospective exhibition In my beginning is my end: the art of Hsiao Chin at the Mark Rothko Art Centre on 31st July, through to a number of exciting articles published this week due to the wonderful global reception of the exhibition.

ARTicle 07: We hope you will enjoy studying Beijing artist Huang Guanyu's lotus in this week's ARTicle, through an essay from his Lotus in Haze exhibition catalogue.

ARTpiece #6: this week we have chosen to highlight another exemplary artwork from Hsiao Chin's Punto period, The Cycles (1963), to inspire you to add this outstanding painting to your collection.

ARTicle 06: This week, we are presenting an essay from the exhibition catalogue Hsiao Chin - Infinite Universe by Sotheby's Hong Kong, to walk you through his extraordinary journey.

ARTpiece #5: this week we have chosen to highlight an exemplary artwork from Hsiao Chin's Punto period, Power of the Light, 1965, as we study his premise of adopting abstract painting into Asian philosophy.

ARTicle 05: This week we are delighted to present the exhibition foreword written by curator Philip Dodd for Hsiao Chin's retrospective In my beginning is my end: the art of Hsiao Chin at Mark Rothko Art Centre, Latvia.

This week, we have chosen Raymond Fung's beautiful painting series Breathing, with which the artist hopes to inspire reflection and action on the climate emergency.

In the fourth edition of ARTicle, we hope you will enjoy the study of Liu Guofu's colour through an essay written by world-renowned philosopher Dr. Andrew Benjamin.

In the biweekly series ARTpiece, we are highlighting one artwork from 3812 Gallery's collection, to inspire you to add it to yours. For the third edition, we have chosen Zheng Lu's gravity-defying sculpture series Water in Dripping, inspired by Chinese calligraphy, a beautiful example of Eastern Origin and Contemporary Expression. Huang Du shares with us his study of Zheng's work in his essay On the Form and Formlessness of Water.

ARTicle 03: This week we are presenting an essay written by art critic Dr. Xia Kejun, to immerse you in Shanghai artist Wang Jieyin's grand landscapes.

In the biweekly series ARTpiece, we are highlighting one artwork from 3812 Gallery's collection, to inspire you to add it to yours. For the second edition, we have selected Liu Zhuoquan's Story of Insects. Liu draws upon the traditional craft of Chinese snuff bottle painting, painting on the inside of glass bottles known as "neihua" or "inner painting", and has transformed it into a contemporary art form. 

ARTicle 02: For the second edition of this new feature curated by 3812 Gallery, we selected a piece for Beijing-based artist Yu Yang written by art critic R. A. Suri for your weekend digest. 

Hsiao Chin shared his six-decade artistic journey from Taiwan to Europe and the United States with 3812 Gallery co-founder Calvin Hui.

In the biweekly series ARTpiece, we are highlighting one artwork from 3812 Gallery's collection, to inspire you to add it to yours. For the first edition, we have selected Chloe Ho's Ink Eruption. Painted in Chloe's beautiful Aberdeen studio in Hong Kong in 2017, this work is an uplifting explosion of colour.

ARTicle 01: For the first edition of this new feature curated by 3812 Gallery, we selected a curator's monograph for Chinese renowned artist Wang Huangsheng written by Dr. Katie Hill for your weekend digest. 

Look into the development of Contemporary Ink Art through the decades.

For all contemporary art, there are many aspects that attract collectors, such as history, rarity, provenance, size, subject matter, quality, or even fashion.