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蕭勤

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Open a larger version of the following image in a popup: Hsiao Chin 蕭勤, The Beginning of Tao-2《道之始-2》, 1962
Open a larger version of the following image in a popup: Hsiao Chin 蕭勤, The Beginning of Tao-2《道之始-2》, 1962

Hsiao Chin 蕭勤

The Beginning of Tao-2《道之始-2》, 1962
Acrylic and ink on canvas 布上壓克力、墨水
70 x 50cm
查詢
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更多圖片

  • (View a larger image of thumbnail 1 ) Hsiao Chin 蕭勤, The Beginning of Tao-2《道之始-2》, 1962
  • (View a larger image of thumbnail 2 ) Hsiao Chin 蕭勤, The Beginning of Tao-2《道之始-2》, 1962
  • The Beginning of Tao-2《道之始-2》

Visualisation

ON A Wall

Provenance

3812 Gallery

Consigned by Hsiao Chin Art Foundation

展覽

Hong Kong, 3812 Gallery, Hsiao Chin: His Unexplored History, 15 March - 15 April, 2023


London, 3812 Gallery, Spirit and Landscape, July 13 – September 3, 2022

London, 3812 Gallery, Masterpiece London Art Fair, Stand 617, Spirit and Landscape, 30 June – 6 July, 2022


Beijing, The Artist as Astronaut: Hsiao Chin, Song Art Museum, 2021

《宇宙人:蕭勤》,松美術館,北京,2021年


The Beginning of 1962 Tao-2London, Masterpiece Art Fair, Masterpiece Online (Artsy), 2020


London, 3812 Gallery, In my beginning is my end: the art of Hsiao Chin, 2020


Kaohsiung, ALIEN Art Centre, Les Couleurs du Ch’an. Hommage à Hsiao Chin, 2019


Hong Kong, 3812 Gallery, Hsiao Chin: The Colours of Ch'an, 2019


Milan, Galleria Cadario, Movimento Punto - The First Exhibition, 1962

出版

Hsiao Chin: His Unexplored History, 3812 Gallery, Hong Kong, 2023
Spirit and Landscape, Masterpiece London Art Fair catalogue, 3812 Gallery, London, 2022, p.19
Hsiao Chin and Punto, exhibition catalogue, 3812 Gallery, London, 2022, p.14

The Artist as Astronaut: Hsiao Chin, Song Art Museum, Beijing, 2021, p.19–20,22

Joshua Gong, Hsiao Chin and Punto - Mapping Post-war Avant-Garde, Unicorn Publishing Group, London, 2020, p.48

Collect (Sept 2019), 3812 Gallery, Hong Kong, 2019 , p.82

The Colors of Ch'an: Tribute to Hsiao Chin, Editions Dilecta, Paris, 2019, p.36

Hsiao Chin, A Historical Dialogue with Art (Volume No. 1), Punto Press, Kaohsiung City, 2017, p.176

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